"hugely enjoyable,
formidable
technical
agility
and subtlety,
confidence
and energy
versatile
and virtuosic"
Nicholas Williams
Independent
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Simon Limbrick's involvement in music embraces performance, composing and leading workshops.
He contributed as a member of the cult systems orchestra The Lost Jockey and Man Jumping, recording for EG Editions and creating
scores for leading dance companies, Second Stride and London
Contemporary Dance. He is always in demand as a percussionist performing
all over the world with the Nash Ensemble, Birmingham Contemporary Music
Group, Endymion Ensemble, Composers' Ensemble and Fibonacci Sequence.
He was guest principal with the LSO in Japan.
In 1990 Simon completed his MA in Electroacoustic Composition at City
University. He has collaborated on a number of large scale works, including
a project at Fort Dunlop, Birmingham, with Rosemary Lee and site-specific
work in Holland and Brussels. Simon and the Dutch composer/sound sculptor
Harry de Wit for short films and television.
As a composer,Simon has produced several film scores premiered in Amsterdam
and shown on MTV. He has also produced a number of scores and created
pieces for Mary Wiegold's Songbook, Roger Heaton Group, Ensemble Bash,
Network of Sparks, Endymion Ensemble, Richard Durrant, Brighton Youth
Orchestra and Hooloo. He was Composer-in-residence at Blackheath Concert
Halls in 95/96.
Compositions created for him include works by Javier Alvarez, Brian
Elias (Kenneth MacMillans last ballet The Judas Tree), Vic Hoyland and
Andrew Poppy. He has performed the world-premieres of solo pieces by
James Dillon, Frederic Rzewski and Claude Vivier. He is currently commissioning
a series of chamber works for percussion and chamber ensemble from composers
Hans Werner Henze, John Woolrich, Philip Cashian, Harry de Wit and Howard
Skempton. A solo CD , "Steam", of Simon performing his own compositions
was released in Autumn 1998 and is often broadcast on the radio. A new
CD, "Debris", will be released in early 2000.
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